Wednesday, March 24, 2010

Modeling Genres: They're Everywhere!


Fashion - No models below 5'8 allowed, well, unless you're Kate Moss. These are the girls you're going to see in high end ad campaigns and on the runway during New York fashion week. Height is essential, as well as posing skills, and these models are few and far between because of the strict physical requirements and innate modeling ability needed.

Commercial - JcPenney's catalog, anyone? Those models you see when you open up the Sunday newspaper with the ads, they're commercials models. 5'6 and taller, well maintained models who tend to do understated, classic posing that will tempt you into buying whatever the store is selling.

Plus Size - Plus size is an industry term, and it's not just a broad term for 'not fashion model size'. The plus size industry still has a certain look for the most part. Models who are beautiful, and busty, and have an hour glass figure. The models are toned, and healthy, but their hip to waist to bust ratio is more hour glass than it is waif.

Toccara Jones is a great example: http://en.wikipedia.org/wiki/Toccara_Jones

Beauty - Think Cover Girl and Maybelline. All those close up shots, with a focus on makeup, miniscule pores, and a gorgeous model whose eyes seem to be sparkle. That's beauty. It's a focus on the face, and on lighting, and on makeup...and lets not forget, the model.

Glamour - Playboy. Maxim. You know, those girls who look directly in the camera, with their back arched, with eyes that seem to say "You know you want it". That's glamour. It's about sexy. It's about enticing the viewer. Think baby oil, bikinis, and hot cars.

Fine art - This is tricky. Fine art can be almost anything. Some people say art is subjective, so doesn't that make fine art subjective? Kind of. Fine art is about technical ability, as well as achieving a look, as well as engaging the viewer, as well as evoking emotion. It's so many things. So the models who participate in these images are highly skilled, and highly emotive. There's no height or weight requirements, it's just about bringing out concepts in a shoot.

Nude modeling - I think you can figure it out.

Parts modeling - Floating hands. Great legs. Maybe a shaving campaign, a model with lathered up legs, luscious calves, running a razor over them in front of the camera? That's a parts model.

Edited to Add:

Fitness Models - These models are toned, even buff, and are used to sell fitness equipment, fitness magazines, and all things related. Fitness modeling is mostly about the body, end being in prime shape, so a gym membership is a must.

I'm sure there are others I'm missing. If you can think of any, comment, and I'll add them in.

It's been a while. That's a shame.


I haven't shot with Jamie for several months, which is a travesty.

I shot Jamie's senior portraits last summer, and not only did I really enjoy shooting with her, I really loved the images we got and I thought that Jamie would fit wonderfully into my modeling work.

And she does.

So not shooting with her for several months, well, it was tough. But when we got the chance to shoot again, we had a great time, and got some wonderful results.



And I got a chance to play with low contrast images, which I've been lusting over in other people's work, so I figured I would give it a try.


Friday, March 12, 2010

Back to the basics...

I like to keep my shoots simple. Outdoor shoots usually involve me, a model, and my camera bag complete with one camera body, two lenses, and one flash that I rarely use.

Occasionally, I switch things up and bring a reflector, maybe even a light stand to do some off camera lighting.

Indoors, I shoot against a wall. Basically, I work with what I'm given. If that means a plain white wall, I'm good with that. Painted walls are always fun. And I always love to use the furniture available to come up with unique shots.


That was shot in my 'dining room', on top of my 'dining room' table, while my cats ran rampant around the apartment.



This was shot at the model's home. We stole a chair from the kitchen, placed it in the living room, and got creative.


My favorite light...the sun. I adore backlit images, and the road that Tiffany and I found was perfect to get a great backlit shot with nothing more than a camera.

I keep things simple on my shoots. No fancy equipment. Just a camera, maybe a light or two for indoor shoots, and occasionally a reflector. That's the way I like it.

Wednesday, March 10, 2010

Two Lovely Ladies

I have to admit, I'm not exactly a fan of group shoots. It's not that I don't enjoy them, I always love hanging out with models and other photographers, but the overall setting of a group shoot can be a bit distracting...so many locations, so many models, and so many options. I much prefer setting up one and one shoots, with a concept, and going with that...

However, that doesn't mean I don't enjoy shooting with more than one model at a time, and that's exactly what I did last night with April and Tiffany. Both ladies are from around Peoria, which is wonderful, because I adore last minute shoots. And lucky for me, April and Tiffany are both amazingly talented, beautiful models who are game for almost anything.

I don't have any shots of them together done yet, but check out these for the time being...

Tiffany
April

Monday, March 8, 2010

My Secret

I sell prints!





You can check them out here: http://laannphotography.exposuremanager.com/g/deadflowers

All images printed by Brent at Blue Cube Imagining, and signed by request.

A Few Hours with Maja and Mike





Last Saturday, I had the pleasure of shooting with Mike and Maja at several locations. I knew Maja from high school, and although I had never met Mike, the engagement session ended up being filled with lots of giggling.

Our original shooting location, a swamp where Mike hunts, was flooded so we headed out to Princeton instead. After realizing the pier we wanted was completely inaccessible (and I lost my shoe, temporarily, to mud) we shot along the river and then moved to a friend's farm (where I was nearly attacked by a horse. Maja and Mike tell a different story, don't listen to them).


After the farm, we moved to LeClaire where we finished up the rest of the engagement session.

Overall, things went wonderfully. Maja and Mike were a ton of fun, and even though I had a virtual show down with a horse, things went smoothly.

Brent at Blue Cube Imagining

I can't say enough enough him.

Not only does he deliver a great product (prints), he also delivers them quickly, and professionally.

So if you're a photographer, and even if you're not, check out his prints. You can order at bluecubeimagining.com

Trust me, he's top notch, wonderfully priced, and exceedingly helpful!

Bridal Session with Rachel Jay






For those of you active on the Model Mayhem forums, you're probably familiar with Rachel Jay who got married June of this year.

This August, I was lucky enough to shoot a bridal session with her. We found an awesome Makeup Artist, Christin Connell, who brought together our ideas and recommended the faux hawk that Rachel is rocking. Not to mention, she fit in perfect with Rachel and I...and we are admittedly total goofs when we shoot with each other.

We decided to take the shoot a fashion route, using natural light, and things came together well.

For those brides reading this, who are looking to book a similar session, my gold wedding package includes an additional bridal session like the one posted above. If you're already married, or looking at a bridal session as an add on to another package, send me a message at lauraannphotography@gmail.com for a quote.

Sunday, March 7, 2010

Vintage Shoot with April





I'm very lucky to be able to work with some amazing models who are just down the road from me, and April is one of them. Not only is she great at what she does, but she's always open to new ideas, and she has a great personality.

I've been wanting to do a vintage shoot for a while, but I wasn't sure what exactly I wanted to do for it. But when I began to piece things together in my mind, April was a clear fit for the shoot, and thankfully, she was up to it.

I found the post processing idea from Lot 8's blog, which you can find here: http://lot8studios.blogspot.com/search/label/processing

A Little About Me

First and foremost, I love what I do. I grew up in a super conservative home, with my grandparents, who lived through the depression and always had the mindset of "You work to make money, nothing else". For the longest time, I felt the same way. All I wanted was a job that I could support myself with, and maybe buy the loft space I always dreamed of. It didn't matter what it was as long as it paid the bills.

Then my senior year of high school happened, and I took a basic photography class because I figured it would be an Easy A. It was my year, and I decided that the last thing I wanted to do was devote myself to something overly academic. I had done that for 4 years, I just wanted one semester without an AP class.

Life isn't predictable. I fell in love with the dark room. Not only did I love going out and taking pictures, but I loved turning them into the final product...spending hours in the darkroom, 'perfecting' certain photos, and coming up with something that I enjoyed.

So I decided to pursue photography. I went to the college I had picked out at the beginning of the year, but decided to continue doing photography on the side while I worked on my Political Science degree. The more and more time I spent taking pictures, and processing them, the more I realized that I had found something I truly loved doing.

I'm very blessed to be in the spot that I am now. I get to do what I love, and other people see the value in it too. My style comes from that last year of high school; I'm still drawn to candids, I enjoy emotive portraits, and I find beauty in the simple things.

The only difference from then and now? Now, I'm confident in pursuing photography, and now, I know what I want to do with the rest of my life.